Jet Li's Fearless
Release date: October 2006
A fast paced, bold exposition on turn of the century orient. Director Ronny Yu (Freddy vs. Jason his biggest western feature) combines amazingly captured high speed movement with methodical asian humility.
Listed as Jet Li's last martial arts movie is too bad, his twenty year body of work is impressive even if America has only embraced him in the last ten years of career.
Jet Li plays Huo Yuanjia a real life warrior who embodies the old traditions of Chinese culture and the huburus of any warrior who is at the top of his game and full of ego. Yuanjia is the son of a famous fighter. As a youth he watches his father train and practice a form of martial arts taht is quite deadly yet in competition his father shows mercy. At times this mercy is accepted in their defeat and other times seen as a form of weakness.
Yaunjia grows to become the greatest fighter is his province yet he does not show the mercy of his father, instead he is concerned with fame, money and the trappings of success including heavy amounts of alcohol.
After humiliating himself, Yaunjia travels to distant lands and learns to accept the peace that is the power of the true form of martial art he creates based on his fathers style. Upon return to his ancesteral home, he finds that Western culture has beat the Chinese culture into a submissive hold. He finds a new calling in perserving the strength of the Chinese culture and trys to rally them around a central cause.
The beginning and final sequences of the movie involve an intricate plot to kill Yaunjia and crush the Chinese culture. How the movie ends establishes the moral fiber of a country for several decades.
The protagonists represented by the Japanese and the English show the potentials of imperialism that will truly shadow and overcome China from the 1930 and beyond. The Japanese characters, a business man and a samuari, show in action and conversaton the change that culture is making from honor to power and how those are attained.
A fast paced, bold exposition on turn of the century orient. Director Ronny Yu (Freddy vs. Jason his biggest western feature) combines amazingly captured high speed movement with methodical asian humility.
Listed as Jet Li's last martial arts movie is too bad, his twenty year body of work is impressive even if America has only embraced him in the last ten years of career.
Jet Li plays Huo Yuanjia a real life warrior who embodies the old traditions of Chinese culture and the huburus of any warrior who is at the top of his game and full of ego. Yuanjia is the son of a famous fighter. As a youth he watches his father train and practice a form of martial arts taht is quite deadly yet in competition his father shows mercy. At times this mercy is accepted in their defeat and other times seen as a form of weakness.
Yaunjia grows to become the greatest fighter is his province yet he does not show the mercy of his father, instead he is concerned with fame, money and the trappings of success including heavy amounts of alcohol.
After humiliating himself, Yaunjia travels to distant lands and learns to accept the peace that is the power of the true form of martial art he creates based on his fathers style. Upon return to his ancesteral home, he finds that Western culture has beat the Chinese culture into a submissive hold. He finds a new calling in perserving the strength of the Chinese culture and trys to rally them around a central cause.
The beginning and final sequences of the movie involve an intricate plot to kill Yaunjia and crush the Chinese culture. How the movie ends establishes the moral fiber of a country for several decades.
The protagonists represented by the Japanese and the English show the potentials of imperialism that will truly shadow and overcome China from the 1930 and beyond. The Japanese characters, a business man and a samuari, show in action and conversaton the change that culture is making from honor to power and how those are attained.